Description
For Argenta persuades the LSO into being simultaneously a sympathetic accompanist and a dashing exponent of the tuttis; and Decca, too, have turned on one of their best recording, with a satisfying balance between soloist and orchestra, and brilliance and richness of tone to spare. Campoli allows himself that touch of lingering here, of Viennese Liebesleid there, which, allied with an easier-going movement, make for a very different reading from Heifetz.
– The Gramophone magazine
Allegro moderato
Canzonetta (Andante)
Allegro vivacissimo