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Eartha Kitt – That Bad Eartha


Always one to fit her personality over any song she chose to sing Eartha uses inflection, suggestion and innuendo to flirt with the imaginations of the listener.
Leaving a stint as a troupe member to stay in Paris in the forties to concentrate on her voice Eartha soon became a chanteuse and actress of some renown. The choice of material here lends itself very well to the sultry purr of the cat woman. In the 10″ LP format the cover photo is just the right size. A stunning portrait of a talented lady with a naughty streak.

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AllMusic Review by William Ruhlmann

Like its predecessor, RCA Victor Presents Eartha Kitt, Eartha Kitt’s second album, That Bad Eartha, also released in 1953, became a Top Five hit in a year when the curiosity about this exotic creature seemed to be limitless. Although she was actually from South Carolina by way of Harlem, Kitt came across as an international chanteuse, which spending a few years in Paris, among other places, will do for you. Her recording of “C’est Si Bon (It’s So Good),” included here, had reached the Top Ten in August, preceded by a minor chart entry in “Uska Dara — A Turkish Tale” and followed by another, “I Want to Be Evil.” Both were also included. In addition to French and Turkish, Kitt sang in Spanish and Swahili, which was more than enough to justify her image as a classy import. Another part of that image was her somewhat predatory sex appeal, which was explored fully in “I Want to Be Evil” and two Cole Porter favorites, “Let’s Do It” and “My Heart Belongs to Daddy.” Of course, there was sleight-of-hand going on there, too, but Kitt didn’t suffer from having a wholly contrived persona, because she let her listeners in on the joke. It wasn’t accidental that the title of the album had quotes around it. And in the same way, her relatively limited vocal range didn’t matter because she acted her way through her performances as if they were short plays. The only problem, in fact, was that Kitt defined herself so well she was ultimately one-dimensional. It was not surprising when the hits dried up within a year, since she came across on records as a novelty act; but she had developed an act she could keep playing for the rest of her life. And that’s exactly what she did.


Under the Bridges of Paris
Let’s Do It (Let’s Fall in Love)
The Blues
My Heart Belongs to Daddy
Sandys Tune
Smoke Gets in Your Eyes
Salanga Dou


Additional information

Weight 0.480 kg
Dimensions 32.0 × 32.0 × 2.0 cm