TAS Recommended! Rated a ‘Best Audiophile Label Recording’ in the November 2009 issue of The Absolute Sound!
TAS Rated 4.5/5 Music, 4/5 Sonics in the January 2009 Issue of The Absolute Sound!
Remastered by Kevin Gray and Steve Hoffman from the Original Rudy Van Gelder Blue Note Master Tapes!
The Definitive issue of this classic Blue Note title!
Dexter Gordon always played with a melancholy smile in his sound. The joy he felt in playing his tenor saxophone was apparent, as was his huge tone and playful conception. At the time that he recorded Doin’ Allright, his very first Blue Note album, Dex had a reason to be smiling. Gordon was making a major comeback after spending several years in prison on a narcotics conviction.
• Remastered from the Original Rudy Van Gelder Blue Note Master Tapes!
• Remastered by Kevin Gray and Steve Hoffman at Acoustech
• Cut at 45rpm for Better Sound!
• Pressed on two 180 gram Virgin Vinyl LPs by RTI
• Limited Edition
• Ultra-Durable, Extra Thick Album Jackets
• Gatefold Album with Session Photos in stunning High Resolution
AllMusic Review by Scott Yanow
The title of this Blue Note set, Doin’ Allright, fit perfectly at the time, for tenor saxophonist Dexter Gordon was making the first of three successful comebacks. Largely neglected during the 1950s, Gordon’s Blue Note recordings (of which this was the first) led to his rediscovery. The tenor is teamed with the young trumpeter Freddie Hubbard, pianist Horace Parlan, bassist George Tucker, and drummer Al Harewood for a strong set of music that is highlighted by “You’ve Changed” (which would become a permanent part of Gordon’s repertoire), “Society Red” (a blues later used in the film Round Midnight), and “It’s You or No One.”
2. You’ve Changed
3. For Regulars Only
5. It’s You Or No One
“The sound is lifelike, the horns are in the room with you. Our non-invasive mastering insures the true breath of life on these original Van Gelder session tapes is transferred to the virgin vinyl with absolute authenticity. It is like hearing these BLUE NOTE masterpieces for the first time and that is NO exaggeration. When we heard the first lacquer acetate playback from our first mastering session I thought Joe Harley was going to pee in his pants he was so excited. Actually we all were; after 50 years of many lackluster and some downright bad sounding versions of these albums, hearing the real deal is a humbling experience, even for us hardened music veterans. You will be able to listen to the music exactly like we did…” – Steve Hoffman