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Bob Dylan – The Times They Are A-Changin’

$57.20

AllMusic Review by Stephen Thomas Erlewine
If The Times They Are a-Changin’ isn’t a marked step forward from The Freewheelin’ Bob Dylan, even if it is his first collection of all originals, it’s nevertheless a fine collection all the same. It isn’t as rich as Freewheelin’, and Dylan has tempered his sense of humor considerably, choosing to concentrate on social protests in the style of “Blowin’ in the Wind.” With the title track, he wrote an anthem that nearly equaled that song, and “With God on Our Side” and “Only a Pawn in Their Game” are nearly as good, while “Ballad of Hollis Brown” and “The Lonesome Death of Hattie Carroll” are remarkably skilled re-castings of contemporary tales of injustice. His absurdity is missed, but he makes up for it with the wonderful “One Too Many Mornings” and “Boots of Spanish Leather,” two lovely classics. If there are a couple of songs that don’t achieve the level of the aforementioned songs, that speaks more to the quality of those songs than the weakness of the remainder of the record. And that’s also true of the album itself — yes, it pales next to its predecessor, but it’s terrific by any other standard.

 

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Description

Immediately distinguished by the you’re-either-with-us-or-against-us messages of the landmark title track, Bob Dylan’s The Times They Are A Changin’ sounds an unmistakable clarion call on behalf of progress and its unstoppable advancement. One of the Bard’s trademark songs, it remains a timeless anthem with a clear sense of common purpose, a musical line in the sand that helped unite various social movements and multiple generations. The reverential 1964 record feeds off the opening tune and its unmistakable sentiments, marching forward to confront racism, poverty, injustice, and upheaval in a stark, immediate manner unlike few albums before or since.

Marking a shift from the looseness and comedy that pepper the preceding The Freewheelin’ Bob Dylan, The Times They Are A-Changin’ skirts any attempt at humor, sarcasm, or goofiness in favor of utmost seriousness and severity. Seemingly anticipating the dark events surrounding President Kennedy’s assassination and the turmoil that followed, Dylan eliminates with conjecture and disguise. Akin to dispatches from the typewriter of literary icons John Steinbeck and William Faulkner, his songs give voices to the voiceless, challenge cultural precepts, upend traditional beliefs with rapier wit and truths, and underline tragedies swept under the rug.

In doing so, Dylan creates stinging protest music that rallies against unchecked authority, discrimination, brutality, and division. A testament to the power of great art, The Times They Are A Changin’ is a righteous assault on ignorance and agent for sweeping action, a necessary impetus for transformation and enlightenment. Via bold originals such as the nonfiction “The Lonesome Death of Hattie Carroll,” assertive “Restless Farewell,” and semi-autobiographical “North Country Blues,” Dylan casts hardships, greed, and victimization in such relatable terms it’s impossible to turn away and ignore their implications.

As correctly relayed by Dylan expert and cultural critic Greil Marcus, “[The record] forever fixed Bob Dylan in the popular imagination: the protest singer, the young man ‘able to see through metal’ (again, from Chronicles), to see through the lie and find the truth, then to hammer the truth into words and send them out with a voice that would never break.”

 

1. The Times They Are A-Changin’
2. Ballad of Hollis Brown
3. With God on Our Side
4. One Too Many Mornings
5. North Country Blues
6. Only a Pawn In Their Game
7. Boots Of Spanish Leather
8. When the Ship Comes In
9. The Lonesome Death Of Hattie Carroll
10. Restless Farewell

 

Additional information

Weight 0.760 kg
Dimensions 32.0 × 32.0 cm