Bach – Suites For Unaccompanied Cello Complete
Bach – Suites For Unaccompanied Cello Complete
Without a doubt, Starker allows his instrument to resound freely but without forcing the tone. Starker’s full-bodied sound and technical brilliance are complemented by his finely chiseled interpretation that lends immense expression to Bach’s thrilling harmony and verve to the strict rhythmic construction of the movements. Just listen to his organ-like double-stopped passages, the eloquent dialogues, and the pure excitement created by his highly individual treatment of tempo. Then you will surely agree with the often-quoted paradox that Bach’s Cello Suites are ‘polyphony for a solo instrument’.
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Beethoven : 5 Sonatas For Cello And Piano
Beethoven : 5 Sonatas For Cello And Piano
Daniil Shafran (1923-1997) was one of the world’s best known concert cellists for many years. Many musicians consider him one of the most interesting phenomena of not only cello performing art but also the entire music culture of the 20th century. As many researchers note, Shafran’s performance combined intellect and poetic inspiration, an impeccable taste and technique, in-depth interpretation of the author’s idea and originality in revealing the contents of works. Anton Ginsburg (1930-2002) was an outstanding pianist, pupil of Heinrich Neuhaus and winner of the Prague Spring International Competition. He was best known as an ensemble musician performing with Daniil Shafran, Mikhael Khomitzer and Igor Oistrakh. Many critics noted the pianist’s creative initiatives, temperament and keen musicality.
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Glenn Gould – The Complete Glenn Gould Bach Keyboard Concertos Nos. 1-5 & 7
Glenn Gould – The Complete Glenn Gould Bach Keyboard Concertos Nos. 1-5 & 7
Gould’s notorious strictness gives form to the minutest of figure in the score. He weaves his way through Bach’s music and thereby articulates its tightly knit and multi-faceted depths. No lecturing keyboard proponent this, but a creative co-composer who imbues the spirit of the music with life and sonority. Upon the release in 1980 of the 80th Birthday Edition with its wealth of visual and tonal material, the music journalist Werner Theurich wrote that no one had ever played more raptly, or more intensively. That Gould’s performances are nothing but heavenly can be seen and felt. The rest is pure music.
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Rufus Wainwright : Does Judy Garland at Carnegie Hall
Rufus Wainwright : Does Judy Garland at Carnegie Hall
This is the 10th anniversary release of this historic performance. In celebration of it, the original album will be reissued for the first time on vinyl. 3LPs pressed at RTI and cut by Kevin Gray at Coherent Audio.
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Sale! Soundgarden – Telephantasm
Soundgarden – Telephantasm
A reunited Soundgarden release their first collection of music since 1996 in the form of Telephantasm. This multi-label, career-spanning retrospective album includes beloved band hits, deep back catalogue cuts and a never-before-heard unreleased track entitled “Black Rain,” taken from the Badmotorfinger recording sessions. Telephantasm marks the first time ever a collection of its kind has been collated in one place.
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Tchaikovsky : Symphonies Nos. 4,5,6
Tchaikovsky : Symphonies Nos. 4,5,6
At the height of the Cold War, the Leningrad Philharmonic Orchestra under its legendary principal conductor Evgeny Mravinsky visited Britain in September 1960, giving sensational concerts in Edinburgh and London which drew ecstatic responses from both press and public. Since this virtuoso orchestra was then poorly represented in Western record catalogues, Deutsche Grammophon’s engineers astutely seized the opportunity to capture their playing in far superior sound to anything that could be produced by their Soviet counterparts. Among the most notable sessions taped in Wembley Town Hall was Mravinsky’s blazingly urgent account of Tchaikovsky’s Fourth Symphony.
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The Juilliard String Quartet : Bartok – The Six String Quartets
The Juilliard String Quartet : Bartok – The Six String Quartets
The Juilliard Quartet was the very first American ensemble to record the six quartets in roughly 1950, and they took up the challenge to record the works once again in the middle of the 60s, in order to give each of the unique works a conclusive performance. With firm bowing, and a dry and direct tone, the musicians dissect the substantial power of these works to reflect all the different aspects of the manuscripts
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