Showing 1–12 of 91 results
A Buck Clayton Jam Session – How Hi The Fi
The Buck Clayton LP How Hi The Fi was the first issue in 1954 from the famous Buck Clayton jam sessions. It was recorded at Columbia's 30th Street Studios, which was one of the greatest recording sites in the world (the studio has since been abandoned, which must be one of the most stupid decisions executed by the corporate record industry), with a sound that's still instantly recognizable. These Buck Clayton jam sessions were among the first large scale projects to utilize the potential of the new LP technology.
A Perfect Circle – Mer De Noms
Mer de Noms (French for "sea of names") is the debut album by American rock band A Perfect Circle. It was certified platinum by the RIAA on October 31, 2000. The album entered the Billboard 200 at No. 4, making it the highest ever Billboard 200 debut for a rock band's first album. It sold over 188,000 copies in the first week, and stayed on the charts for 51 consecutive weeks. The album peaked at No. 27 on the Billboard Top Pop Catalog Albums on October 4, 2003, three years after the album's release. Mer de Noms has since been released on vinyl record format.
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Adrian Sherwood – Never Trust A Hippy NTAH
It's a mystery, really, why a music biz legend like Adrian Sherwood hasn't released a solo album until now. Okay, the man has been rather busy over the last twenty years or so, producing and/or remixing some of the most innovative recordings under his own moniker or that of his On-U Sound label Never Trust A Hippy reflects the way its maker sees the multifarious Real World.
Alejandro Almenares – Casa De Trova Cuba 50’s
If you’re a fan of the Buena Vista Social Club, this guy’s gonna make them seem like a bunch of posers. Composer, vocalist and tres guitarist, Alejandro Almenares delivers the real thing from Cuba here on this set. This double vinyl set contains the same songs (although in different order); the difference is that the first features his rich and full voice, while the second features his material as (mostly) instrumentals. Flutes, percussion, violin, soprano sax, guitars and intermittent vocal choruses accompany Almenares on the gentle and fragrant instrumental takes of “No Critiques Al Nene” and “La Nina Que Yo Ame”, while vocalists Tony Rodon, Eva Grinan, Jose Cabrera and Ismael Borges deliver tales of passion on “Mujercita “Linda”, A Tu Retrato”, “Te Vi Y Te Contemple” and “De Lo Que Quiero Saber” respectively. The simplicity of the old world charms are on abundant display here. No gimmicks, no frills, just earnest notes and, like the best of cooks, letting the simple ingredients do all the work in creating the flavor that makes your mouth water. Essential listening! "Casa de Trova – Cuba 50’s" - various soloists and bands
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Alice in Chains – MTV Unplugged
The band perform songs from both Facelift and Dirt albums as well as their critically acclaimed E.P. Jar Of Flies, creating new and exciting arrangements for their heavier songs while reinventing others. The tension and excitement in the audience is palpable throughout the entire show, and it makes this a fantastic record of the greatness of Alice In Chains.
Alison Krauss & Union Station – So Long So Wrong
As usual, it is Alison’s beautiful vocals that give it that "high, lonesome sound." There are 13 vocal songs and one instrumental on this two-record set. Krauss is the lead vocalist on eight of the songs and Union Station members share the other lead vocals. The virtuoso musicians comprising the group are Barry Bales (acoustic bass), Ron Block (banjo, guitar), Adam Steffey (mandolin), and Dan Tyminski (guitar). Of course Krauss started her career as a violinist (fiddler to the bluegrass world) and she doesn’t leave that instrument out either.
Art Blakey & The Jazz Messengers – Keystone 3
The Jazz Messengers are a musical balancing act, a study in contrasts, much like Art Blakey himself. As an ensemble, this is perhaps the most dynamic and expressive sextet Art has ever fronted. The contouring of arrangements, phrasing within the charts, and the repertoire itself constitute a lesson in musicality.
Beethoven – Sonatas for Piano & Cello
Possessing a complete recording of Beethoven’s Cello Sonatas gives far more satisfaction than merely having the set to fill the shelves. On the one hand it offers one the opportunity to compare Beethoven’s art of composition at various stages in his life. And on the other hand one can already recognise in the early Opus 5 how he breaks with the traditional sonata in which the solo instrument merely provides an accompaniment and treats the two instruments as equal partners in the creation of the movements.
Beethoven – Symphony No. 9
It was clear from the start that Beethoven’s Ninth Symphony, with its air of solemnity in the final chorus, which calls for brotherly love just as the New Year comes in, would become a musical part of our world’s cultural legacy. Hundreds of minds, Beethoven researcher Karl Nef prophesied, have been set in motion by this music in the most varied ways, and it will continue not only to bestow pleasure upon countless thousands, but also to stimulate mental life right at the most fundamental level.
Beethoven – Symphony No. 9 in D minor op. 125
Ludwig van Beethoven: Symphony No. 9, op. 125 - Bomi Lee, Agnieszka Rehlis, and other soloists, the Polish Chamber Philharmonic Orchestra Sopot and Polish Chamber Choir Schola Cantorum Gedanensis conducted by Wojciech Rajski The first three movements - Sides 1, 2 and 3 - should be played back as normal. For the last movement on side 4, please place the needle on the inside of the record. You needn't do any more than that: it will move from the inside to the outside of the record. The music sounds so much the better than in a normal production. The reason being the final movement of the 9th Symphony places enormous demands on vinyl technology.
Belafonte – At The Greek Theatre
On a late summer evening in 1963, a show took place at Los Angeles' open-air Greek Theatre in, which had fans flocking to the Hollywood mountains. Those who were not lucky to get a ticket climbed to the surrounding trees to see the Calypso man from a distance at least.